Ghungroo School of Kathak Dance
Kathak refers to the term "school of dance. It also is the name of a dance community of dancers. It's a basic word but it is many years of history, which sheds light on the place of classical dance in northwestern India.
In the past mythology and epics was transmitted to the masses by a specific group of professional storytellers called "Kathakas", Granthikas, Gathakas, Pathakas, etc. The Sage Valmiki of the Ramayana provides a hint of a certain class of recitors that were skilled on the craft of telling stories. Reading the Ramayana in the form of Lava as well as Kush as Kushilavas can be considered an illustration.
Kathak is a word that appears in the Mahabharata epics. Kathak has also been mentioned within the epics of Mahabharata. It is mentioned as a reference to dancers, actors and singers. As a group of storytellers Kathakas are believed to have thrived in Bengal. Vidyapatithe main force of the medieval Vaishnavas from Bengal and Assam and Assam, had a musical partner, Jayat who is believed to have been a Kathak. Tulsidas who wrote the Hindi Ramayana has referenced Kathak in his writings - within terms of dancing.
Etymologically speaking, the word Kathak is associated with Kathawhich is the practice of telling stories. According to a reliable Sankrit dictionary Kathak or Katha refers to the composition of a literary work. According to the text "Abhindra Rajendra", the Jain dictionary, the equivalent phrase can be described as "athya" or "kathya" which means a musical composition.
The word Kathaka is found in Sanskrit literary works the term Kathaka is found in the grammatical writings which are Sanskrit dictionary documents in early times. Panini wrote within his "Siddhantha Kaumudi" - a Sutra "Kathadibhyaghtahak" from which the term Kathika was taken and translated as a person who is well-versed in the art of storytelling.
The word Kathaka is pronounced in the form "Kahuga" within the Jain dictionaryin the Jain lexicon Abhindra Rajendra as well as Kappadridkosha and the definition offered by them is nearly exactly the same as that of Sanskrit meaning. In the dictionary of the Pali the language Kathika is utilized as preacher. The Nepali dictionary, the word is understood as an either a narrator or recitor.
Kathak The North Indian classical dance form
It is the North Indian classical dance form that is popular in the northern Indian state that include Uttar Khand and Rajasthan is Kathak. Swami Haridas is accredited as the first person to pioneer Kathak. Kathak dancing form. In the time of his birth, Kathak began to become an accepted dance form within temples. Bhajana, the kirtana, dhrupada, and katha were danced in temples, in Kathak. Kathak form.
The dance was an increasingly popular art form after its introduction to the courts of royalty. Royal courts treated dancers with a lot of respect. They were incredibly respectful. Nawabs in Lucknow along with the Kings of Jaipur court were the most ardent supporters of this form of dance and invited famous dancers from their day into their courts. Kalikaprasad, Bindadin Maharaj, Pt Jaylal, Nrityacharya Narayanprasad are some of the artists who have gained fame in this royal court. Because of this connection to the courts, the most important Rasa in the Kathak dancing refers to "Shringar".
Kathak dancers are supported by percussionists who play Tabla or Pakhawaj. Dance compositions that are the basis of Kathak include Toda, Paran, Paran Ahmad, Tatkar etc. Acting, words and songs are used to accompany dancing in an Abhinaya style of dancing, known as"Gat Bhav". The footwork is a vital part that makes up the Kathak dance. It is known as the Tatkar.
The most common are lahenga, choli orni, angarekha and Churidar and other are worn by dancers in a show.
The current artists from Kathak are Pt Birju Maharaj Saswati Sen Chitresh Das, Rani Karnaa, Rubi Bandopadhay and others.
Lucknow Gharana of Kathak
One of the greatest performers of the Lucknow gharana Kathak is Bindadin Maharaj. Bindadin was a fervent follower to Lord Krishna and it is believed that the vision he had once came to him where he was able to see the Lord and was entrusted with the responsibility of spreading dance as a form of art. Bindadin composed many dadras, thumris and bhajans. These have become integral to Kathak's "nritya" context of Kathak.
The principal practitioner of this type that is known as Kathak, Bindadin was a religious person. The form of dance that came to be popular at the time tried to find a compromise with Hinduism and Islamic ideas, and eventually evolved into a secular form of dance, yet was not a complete separation from the Krishnatheme. Radha theme.
"Bhava" or mood became the mainstay of Lucknow dancers. They wanted to experience the art form that was able to reflect the mood of life that showed life in all its passion. They came up with a number of innovative "gats" or compositions and the majority of them are discussed in specific books that were written during the period of Wajid Ali Shah.
The Lucknow dancers believed in their face to be the most powerful expressive medium and specifically the eyes as the mirrors of emotion. So, their dance evolved into conveying the most subtle details of emotion.
The gharana of Kathak has reached maturity and even perfection under the reign of Wajid Ali Shah. Before his time there was no history of dancing in Lucknow or at the very least, not in any style that was stylized in the art. Thakur Prasad is an experienced Kathak dancer, moved to Lucknow in the early part in the late 19th century. He became the court dancer for Wajid Ali Shah. Some dispute this theory according to the skeptics, Thakur Prasad's father Prakashji arrived in Lucknow during the time of the Asaf-ud-Daulah regime and joined as a dancer in Nawab's army and in this manner laid the foundation of the Lucknow Gharana.
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